New Works

Those works are the result of personal research that led me to fragment the image considering different pictorial languages.
The purpose is to escape the recognizable, creating areas where the watcher can follow the sequence of brightly dyed points, borrowed from Pop painting, or get lost in the succession of colored lines, borrowed from psychedelic graphics or decoration.
Yet the eye could be caught by the mellowness of the matter like an expressionist or informal painting, interrupted by a "noise" effect typical of computer graphic.
The color is sometimes bright, other times dull. The sign is precise but also flickering. The use of different working tools gives the pictorial material diversified effects.
The barycentre of the image can shift together with the gaze, solicited by various visual stimuli. There is no project that determines the structure, but a long process of choices and second thoughts.
There is an effort to maintain the two-dimensionality of the various parts without looking for a breakthrough, without pretending another space.
The depth is perceived thanks to the interaction of the colors on the surface.